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Pick Your Poison (Ruby Redfort)

• Sales Rank: #124049 in Books
• Published on: 2015-11-19
• Original language: English
• Number of items: 1
• Dimensions: 5.79" h x 1.89" w x 7.60" l, 1.25 pounds
• Binding: Hardcover

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good read - has some very violent scenes
By Jeff
Good read - has some very violent scenes. Spoiler: One of the bad guys is found in pieces at the end. Looking forward to the final book in the series, and possibly the eventual movie blockbusters. I will likely screen it before I read it with my daughter.

0 of 0 people found the following review helpful.
Five Stars
By louise
Great storyline 12 yr old daughter rate this series very highly

0 of 0 people found the following review helpful.
Five Stars
By Emma P
It is amazing, there are massive plot twists and something you will never see coming, altough I recommnd you read the other books first so you don't have the whole story spoiled. I can't wait until the next one comes out in October, I NEED to keep reading because this massive cliff hanger is getting on my nerves, I have about a million questions about the last five words.

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This book explains, in concise chapters, the diversity and complexity of what is known concerning human responses to vibration. The book covers both whole body vibration and hand-transmitted vibration and contains pictorial models of the relevant variables, as well as experimental data and epidemiological studies. The study of human vibration incorporates psychology, mathematics, physiology, engineering, medicine, and statistics, and the Handbook of Human Vibration is written to assist both students of the subject and those addressing practical problems. The text does not depend on an advanced knowledge of mathematics or a familiarity with the jargon from the various disciplines, and is accessible to all persons interested in human vibration, including medical doctors, engineers, lawyers, scientists, trade union officials and administrators.

* Summarizes current understanding of the many human responses to vibration, including both whole-body and hand-transmitted vibration.
* Presents experimental data and appropriate models so that readers can address practical problems.
* Contains a large, multidisciplinary glossary of terms.
* Features an extensive bibliography and guide to national and international standards.

• Sales Rank: #1238088 in Books
• Published on: 1996-12-03
• Original language: English
• Number of items: 1
• Dimensions: 9.04" h x 2.37" w x 6.05" l, 3.43 pounds
• Binding: Paperback
• 988 pages

Review
By bringing together and organizing a mass of laboratory and field research findings on the effects of whole-body and hand-transmitted vigration on human health and performace, Griffin has made an invaluable contribution to the study and understanding of human vibration. No one with a serious interest in this area can afford not to have ready access to this book.
--HUMAN FACTORS SOCIETY BULLETIN
This book represents a major landmark in the evolution of the subject of human response to vibration. It comprehensively integrates fundamental principles with practical application to provide a complete handbook for student, researcher, and practitioner. The book is well written and clearly presents the rapid development of the subject, especially over the past twenty years...The organization of the book has been clearly thought through...Ten comprehensive appendices of useful supporting material add to the self-contained and complete nature of the text. The material is clearly presented and discussion informed and inspired...No longer does one have to search through separate and diverse publications. The essential human vibration is now in one volume which is undoubtedly the classic work in this area.
--JOURNAL OF SOUND AND VIBRATION

From the Back Cover
This book commences with an introduction to both vibration and possible human responses to vibration. Understanding of human responses to vibration is considered in two parts: whole-body vibrations (Chapters 2 to 12) and hand-transmitted vibration (Chapters 13 to 19).

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[I290.Ebook] PDF Ebook The Contradictions of American Capital Punishment, by Franklin E. Zimring

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Why does the United States continue to employ the death penalty when fifty other developed democracies have abolished it? Why does capital punishment become more problematic each year? How can the death penalty conflict be resolved?
In The Contradictions of American Capital Punishment, Frank Zimring reveals that the seemingly insoluble turmoil surrounding the death penalty reflects a deep and long-standing division in American values, a division that he predicts will soon bring about the end of capital punishment in our country. On the one hand, execution would seem to violate our nation's highest legal principles of fairness and due process. It sets us increasingly apart from our allies and indeed is regarded by European nations as a barbaric and particularly egregious form of American exceptionalism. On the other hand, the death penalty represents a deeply held American belief in violent social justice that sees the hangman as an agent of local control and safeguard of community values. Zimring uncovers the most troubling symptom of this attraction to vigilante justice in the lynch mob. He shows that the great majority of executions in recent decades have occurred in precisely those Southern states where lynchings were most common a hundred years ago. It is this legacy, Zimring suggests, that constitutes both the distinctive appeal of the death penalty in the United States and one of the most compelling reasons for abolishing it.
Impeccably researched and engagingly written, Contradictions in American Capital Punishment casts a clear new light on America's long and troubled embrace of the death penalty.

• Sales Rank: #1829661 in Books
• Published on: 2004-11-18
• Original language: English
• Number of items: 1
• Dimensions: 6.10" h x .70" w x 9.00" l, .86 pounds
• Binding: Paperback
• 272 pages

Features

• Capital
• Punishment
• American
• Smith
• The

Review

"Zimring is doing more than making a case for or against; he's presenting an impressive array of facts, suggesting that the U.S. would be 'a better nation' if it exorcised those vigilante values."--Los Angeles Times Book Review

"A thought-provoking and genuinely original book which deserves to become a classic."--The Economist

About the Author
Franklin E. Zimring is the William G. Simon Professor of Law and Chair of the Criminal Justice Research Program at the University of California at Berkeley. He is the author of Crime Is Not the Problem and American Youth Violence.

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13 of 23 people found the following review helpful.
Praise for The Contradictions of American Capital Punishment
By A Customer
"Zimring does us a great public service in examining the United States' retention of a primitive and brutal punishment long after it was abandoned by other developed nations. This book will help insure that the inevitable abandonment of capital punishment by the United States is not delayed for another generation."
Stephen Bright
Director, Southern Center for Human Rights
"Frank Zimring's book will revolutionize how we understand the death penalty in the United States. Why, Zimring asks, does capital punishment persist in America, almost uniquely among established democracies, despite entrenched unfairness and the virtual inevitability of error? His original and provocative answer is America's vigilante tradition. Like vigilante action, the death penalty suffers from the biases of the dominant social group and the unwarranted assumption that the guilty have been correctly identified. Highlighting this uncomfortable comparison offers a promising new approach for those committed to ending this inhumane institution of American life."
Kenneth Roth, Executive Director, Human Rights Watch
"Frank Zimring's new book makes a major contribution to understanding the present situation of the death penalty in the United States and to predicting what lies ahead. Central to his analysis is his judgment that a "fundamental value conflict" lies at the root of the struggle: Will America's frontier "vigilante values" that support our death penalty practices survive their collision with our attachment to "due process" values? Written in his characteristically lively style, this provocative and completely original work has much to teach both defenders and opponents of capital punishment."
Hugo Adam Bedau, author of The Death Penalty in America

1 of 3 people found the following review helpful.
Best book on CP
By Maryjane Osa
I use this in class (along w/ Banner) and it really hits home. While his arguments are controversial, they are grounded in data.

0 of 3 people found the following review helpful.
book
By tiana Thompson
had to read it for class and it was a great book i did not think i would like it but turns out i couldnt put it down!

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[F121.Ebook] Ebook Download Math for Meds Dosages & Solutions , 9TH EDITION, by ReviewTextCramText

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Math for Meds : Dosages and Solutions 9TH EDITION by Anna M. Curren. Delmar Learning,2005

• Sales Rank: #3813940 in Books
• Published on: 2005
• Number of items: 2
• Binding: Paperback

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0 of 0 people found the following review helpful.
Step-by-step Examples
By Sarah M.
I used this book for practical nursing school. This book is great for people who need to see math problems done in a step-by-step format. There are plenty of practice problems and the book's CD has even more. I like how the book shows several different ways to solve the same problems because different ways work better for different people. Be aware that some of the answers in the book's answer key and CD are incorrect and some of the feedback given on the CD for a problem answered incorrectly is hard to follow.

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Enhanced by charts, appendixes, notes, and references to approximately 300 movies from 1927 to 1960 (with additional material on the biopics' absorption by contemporary television), this volume analyzes biographical film production, distribution, and exhibition under the constraints of censorship, libel law, producer proclivities, and casting. Custen (communications, CUNY) explains why biographies of entertainers proliferated after World War II, how studio moguls fostered biographical narratives similar to their own rags-to-riches stories, and to what extent research departments affected veracity. A good addition to a scant literature that includes Michael Pitts's Hollywood and American History (McFarland & Co., 1984) and George MacDonald Fraser's The Hollywood History of the World ( LJ 9/15/88). Essential for comprehensive film collections. Movie Entertainment Book Club selection.

"Helps us to understand how Hollywood films shaped public consciousness about the past by constructing a very specific, ideologically charged version of that past. . . . A fresh and important contribution to film history and cultural studies."--Daniel Czitrom, Mount Holyoke College

Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession.Utilizing a carefully selected sample of over 100 films produced during the Studio Era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by difference sources. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of biopic alive, even into the age of the made-for-TV movie.

• Sales Rank: #1629050 in Books
• Brand: Brand: Rutgers University Press
• Published on: 1992-05-01
• Original language: English
• Number of items: 1
• Dimensions: 9.03" h x .74" w x 6.02" l, 1.17 pounds
• Binding: Paperback
• 326 pages

Features

• Used Book in Good Condition

From Library Journal
Enhanced by charts, appendixes, notes, and references to approximately 300 movies from 1927 to 1960 (with additional material on the biopics' absorption by contemporary television), this volume analyzes biographical film production, distribution, and exhibition under the constraints of censorship, libel law, producer proclivities, and casting. Custen (communications, CUNY) explains why biographies of entertainers proliferated after World War II, how studio moguls fostered biographical narratives similar to their own rags-to-riches stories, and to what extent research departments affected veracity. A good addition to a scant literature that includes Michael Pitts's Hollywood and American History (McFarland & Co., 1984) and George MacDonald Fraser's The Hollywood History of the World ( LJ 9/15/88). Essential for comprehensive film collections. Movie Entertainment Book Club selection.
- Kim Holston, American Inst. for Chartered Property Casualty Underwriters, Malvern, Pa.
Copyright 1992 Reed Business Information, Inc.

Review
"A fresh and important contribution to film history and cultural studies." -- Daniel Czitrom, Mount Holyoke College

"Ambitious and groundbreaking... a book no historian, student of media, or movie enthusiast should miss." -- George Gerbner, Annenberg School for Communication, University of Pennsylvania

"An illuminating account of an enduring but little analyzed staple of popular film, the story of a life..." -- Richard Dyer, University of Warwick

From the Back Cover
Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession. Employing a carefully selected sample of over one hundred films produced during the studio era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by different textual and intertextual sources; Hollywood's model of history was derived from recycled plots played out on its back lots and sound stages, and not from the world outside the studio walls. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of the biopic alive, even into the age of the made-for-TV movie.

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Five Stars
By gerry d
Good overview, up to 60s.

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Bio/Pics: How Hollywood Constructed Public History (Studies), by Professor George Custen PDF

Bio/Pics: How Hollywood Constructed Public History (Studies), by Professor George Custen PDF