Sabtu, 30 November 2013

[X429.Ebook] Ebook Download Tu Mundo: Espanol Sin Fronteras (Spanish and English Edition), by Magdalena Andrade, Jeanne Egasse, El�as Miguel Mu�oz, Mar&

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Tu Mundo: Espanol Sin Fronteras (Spanish and English Edition), by Magdalena Andrade, Jeanne Egasse, El�as Miguel Mu�oz, Mar&

Note: This is a stand alone book. Does not include access card.
Tu mundo immerses the Intro Spanish student in a culturally rich world full of opportunities to discover and explore the powerful connections between themselves and the people and cultures of the Spanish-speaking world. Students dive in to intensive communicative practice, building confidence in their ability to interact in a meaningful way in Spanish with access to a wealth of tools to support and guide their progress, including video chat, interactive online scenarios, and an adaptive diagnostic program. In addition, students are able to create their own sense of community, resulting in a unique individual experience that will evolve organically with each student, sparking their natural curiosity about their world.

   Tu mundo employs a communicative methodology that focuses on developing all four skills, supported by the best digital learning platform available today: Connect Spanish. Because Tu mundo was designed with today’s students in mind, students are more readily engaged with the content, thanks to their avid use of web-based tools, their innate interest the cultures of other countries, and their preference for visual presentations and quick access to information. Tu mundo reflects the world in which our students live; where online learning, social networking, texting, instant messaging, mobile devices, tablets, online gaming, and virtual scenarios are an integral part of daily life.

What are the pillars of Tu mundo?
Our extensive and ongoing research in the Intro Spanish course has led to the creation of Tu mundo, with a strong emphasis on the 5 C’s: Communication, Culture, Connections, Comparisons, and Communities. Tu mundo delivers content in a variety of ways in order to ensure consistent course outcomes across all course formats.

1.Improved communication performance & skills: By jumping directly into communicative practice at the beginning of every chapter, students are encouraged to immerse themselves in the experience of active learning, whether in a face-to-face or online classroom. Grammar is presented at the end of each chapter, allowing students to study at home and work through the exercises in Connect Spanish for automatic feedback, coming to class ready to engage in discussion. This emphasis on communication in the classroom makes Tu mundo the most effective communicative program on the market. No other program commits to this methodology like Tu mundo.

2.Creating consistent learning outcomes: Tu mundo offers a powerful adaptive learning system called LearnSmart that allows students to identify grammatical structures and vocabulary words not yet mastered and to receive an individualized study program for mastering them. Students of all experience levels will benefit from using LearnSmart, which includes built-in reporting and a competitive scoreboard. Connect Spanish Voice Board and Blackboard Instant Messenger (BbIM), both powered by Wimba, ensure that students are getting ample practice time no matter where their classes take place.

3. Building community and connections between students: Creating a sense of community in the face-to-face or virtual classroom is a huge part of language learning and something that Tu mundo does implicitly. Whether students collaborate in a physical classroom or in Connect Spanish, they are provided with opportunities to engage in meaningful conversations and collaborative task-based activities. The Amigos sin fronteras, a cast of young Hispanic students that share common interests, are featured throughout the entire program and showcased in the Así somos video segments. Through the Amigos sin fronteras, students are exposed to a friendly model on how to apply what they are learning to another friendly group of students, i.e. their own class. In addition, Tu mundo presents an interactive online environment that applies engaging content and task-based scenarios that enable you to practicing your language skills in a fun, immersive way. Thus, students can practice Spanish in a context that is not only fun but extremely motivating.

4.More Culture and Comparisons coverage: Culture is so often left behind―so Tu mundo offers it throughout the program. Each chapter features a country of focus which doubles as the home country of one of the fifteen amigos. Along with in-chapter cultural sections, every chapter of Tu mundo features a second video segment called Mi país (within Connect), narrated by the amigos themselves, as they share information about their native countries. This window into the lives of the amigos provides a point of comparison for you to describe your own life. The Mundo interactivo scenarios represent a variety of cultural contexts in which you can interact with language and culture in a way that is meaningful to you.

*Connect Spanish, including but not limited to the workbook/lab manual, LearnSmart, the video program, and chat tools, is sold separately and does not come automatically with the purchase of the textbook.

  • Sales Rank: #17808 in Books
  • Brand: Brand: McGraw-Hill Humanities/Social Sciences/Languages
  • Published on: 2013-04-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.00" w x 8.70" l, 3.32 pounds
  • Binding: Hardcover
  • 608 pages
Features
  • Used Book in Good Condition

About the Author
María José Cabrera Puche received her B.A. from Universidad de Murcia, Spain, her M.A. and M.Ed. from West Virginia University, and her Ph.D. in second language Acquisition and Bilingualism from Rutgers University. She has taught Spanish at Public schools and universities, foreign language methodology courses in both face-to-face and hybrid formats, and supervised foreign language student teachers for the Department of Education at Rutgers University and for the Department of Languages and Cultures at West Chester University of Pennsylvania (WCU). Currently she is an Assistant Professor of Spanish at WCU, where she coordinates the lower-level Spanish courses, and she is also the assessment coordinator in the Department of Languages and Cultures at WCU.

Jeanne Egasse Received her B.A. and M.A. in Spanish linguistics from the University of California, Irvine. She has taught foreign language methodology courses and supervised foreign language and ESL teachers in training for the Department of Education at the University of California, Irvine. Currently, she is an instructor of Spanish and coordinates the Spanish language Program at Irvine Valley College. In addition, Professor Egasse serves as a consultant for local schools and universities on implementing Natural aApproach in the language classroom. Professor Egasse is co-author of Cocina y comidas hispanas and Mundos de fantasia: Fabulas, cuentos de hadas y leyendas (McGraw-Hill).

Magdalena Andrade Received her first B.A. in Spanish/French and a second B.A. in English from San Diego University. After teaching in the Calexico Unified School District Bilingual Program for several years, she taught elementary and intermediate Spanish at both San Diego State and the University of California, Irvine, where she also taught Spanish for Heritage Speakers and Humanities Core Courses. Upon receiving her Ph.D. from the University of California, Irvine, she continued to teach there for several years and also at California State University, Long Beach. Currently an instructor at Irvine Valley College, Professor Andrade has co-authored Mundos de fantasía: Fábulas, cuentos de hadas y leyendas and Cocina y comidas hispanas (McGraw-Hill).

Elías Miguel Muñoz is a Cuban American poet and prose writer. He has a Ph.D. in Spanish from the University of California, Irvine, and he has taught language and literature at the university level. Dr. Muñoz is the author of Viajes fantásticos, Ladrón de la mente, and Isla de luz, titles in the Storyteller's Series by McGraw-Hill. He has published five other novels, two books of literary criticsm, and two poetry collections. His creative work has been featured in numerous anthologies and sourcebooks, including Herencia: The Anthology of Hispanic Literature of the United States, The Encyclopedia of American Literature, and The Scribner Writers Series:Latino and Latina Writers.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Too expensive
By David Mason
I needed the book for a class but this book is ridiculously expensive and is lacking in vocabulary and there's parts where it's just entirely in Spanish which makes it hard for someone with no background in Spanish to learn from.

4 of 4 people found the following review helpful.
Good textbook required by my Spanish professor
By Callie
The class was a bit easy for me, as I do have a few years of high school Spanish under my belt. That being said, I did benefit from the grammar refresher. Grammar is boring, but essential. The vocabulary sections throughout the textbook were also useful to brush up on words I had forgotten and to learn new Spanish words.

Have no complaints about the primary textbook or the workbook - was a good choice by the professor.

0 of 0 people found the following review helpful.
Very unorganized and bad for first time learners
By julie russell
I am in Spanish 101 in college. I was really hoping to broaden the knowledge that I got in high school. This book is so out of order. It starts with difficult stuff, then adds in easier. Very bad for someone with no Spanish knowledge. It doesn't properly explain things. I am using Google translate just to get me through the class.
If your Professor uses this book, try to change classes or drop it and get another Professor!

See all 39 customer reviews...

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Say My Name: A Stark Novel (Stark International), by J. Kenner

New York Times bestselling author J. Kenner kicks off a smoking hot, emotionally compelling trilogy that returns to the world of her beloved Stark novels: Release Me, Claim Me, and Complete Me. Say My Name features Jackson Steele, a strong-willed man who goes after what he wants, and Sylvia Brooks, a disciplined woman who’s hard to get—and exactly who Jackson needs.

I never let anyone get too close—but he’s the only man who’s ever made me feel alive.

Meeting Jackson Steele was a shock to my senses. Confident and commanding, he could take charge of any room . . . or any woman. And Jackson wanted me. The mere sight of him took my breath away, and his touch made me break all my rules.��

Our bond was immediate, our passion untamed. I wanted to surrender completely to his kiss, but I couldn’t risk his knowing the truth about my past. Yet Jackson carried secrets too, and in our desire we found our escape, pushing our boundaries as far as they could go.

Learning to trust is never easy. In my mind, I knew I should run. But in my heart, I never felt a fire this strong—and it could either save me or scorch me forever.

Say My Name is intended for mature audiences.

Praise for Say My Name

“Readers who need more of Kenner’s racy, sizzling Stark novels will delight in this new series, set in the same decadent, lavish world. . . . Kenner has crafted a hero whose compassion is remarkable, and who is strong enough not only to apologize and to change, but to offer her the kind of love she wants and needs, as well. . . . Fans of dark, intense and emotionally scorching romances will surely adore this series opener.”—RT Book Reviews

“It’s a heady mix of love and intrigue, and Kenner continues to deliver a knockout experience that made me long for the next book even as I was more than satisfied with this story’s ending. To say more would give too much away, and I encourage everyone who loved the original Stark trilogy to read Say My Name to find out what’s there for themselves.”—The Romance Evangelist

“J. Kenner has given us one hell of a story with this start to the Stark International series. And if anyone can give Damien Stark a run for his money, it’s Jackson Steele.”—Cocktails and Books

“If you enjoyed the Stark novels, you are going to love Say My Name!”—Reading Keeps Me Sane

“J. Kenner’s best work to date. . . . The pull between these two is off the charts. They have this intense chemistry that pretty much makes their sexy times go through the roof! . . . It was great getting to see Nikki and Damien again. . . . Even though I know them from their series, they seem fresh. . . . J. Kenner knocked it out of the park with this one. Five-off-the-charts-hot-stars!”—About That Story

“J. Kenner never fails to provide a gripping and passionate story. Say My Name takes you to the edge and then pushes you over. Not that I was expecting anything less, but Jackson Steele is the perfect addition to the Stark series. . . . I cannot wait to see what unfolds next. . . . More Jackson! More please.”—Obsessed with Myshelf

  • Sales Rank: #547256 in Books
  • Brand: Kenner, J.
  • Published on: 2015-04-07
  • Released on: 2015-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .42 pounds
  • Binding: Paperback
  • 336 pages

Review
“Readers who need more of Kenner’s racy, sizzling Stark novels will delight in this new series, set in the same decadent, lavish world. . . . Kenner has crafted a hero whose compassion is remarkable, and who is strong enough not only to apologize and to change, but to offer her the kind of love she wants and needs, as well. . . . Fans of dark, intense and emotionally scorching romances will surely adore this series opener.”—RT Book Reviews

“It’s a heady mix of love and intrigue, and Kenner continues to deliver a knockout experience that made me long for the next book even as I was more than satisfied with this story’s ending. To say more would give too much away, and I encourage everyone who loved the original Stark trilogy to read Say My Name to find out what’s there for themselves.”—The Romance Evangelist

“J. Kenner has given us one hell of a story with this start to the Stark International series. And if anyone can give Damien Stark a run for his money, it’s Jackson Steele.”—Cocktails and Books

“If you enjoyed the Stark novels, you are going to love Say My Name!”—Reading Keeps Me Sane

“J. Kenner’s best work to date. . . . The pull between these two is off the charts. They have this intense chemistry that pretty much makes their sexy times go through the roof! . . . It was great getting to see Nikki and Damien again. . . . Even though I know them from their series, they seem fresh. . . . J. Kenner knocked it out of the park with this one. Five-off-the-charts-hot-stars!”—About That Story

“J. Kenner never fails to provide a gripping and passionate story. Say My Name takes you to the edge and then pushes you over. Not that I was expecting anything less, but Jackson Steele is the perfect addition to the Stark series. . . . I cannot wait to see what unfolds next. . . . More Jackson! More please.”—Obsessed with Myshelf

“J. Kenner has once again given us a serial that is packed with steam, drama, and suspense that will keep us readers guessing and reading on. Say My Name is a wonderful beginning of a love story that is as complicated as the main characters. It is a great introduction to two characters who will no doubt capture the hearts of readers with their overpowering love for each other despite what seems like unbeatable odds.”—Sultry, Steamy Reading

“Your jaw will drop, your thighs will clench. . . . This book was angst. Pure and complete angst. It took my breath. . . . You have no idea what to expect from page to page and I loved that. J. Kenner does such an amazing job with this book, I couldn’t put it down and honestly, I didn’t want to. It. Was. That. Good.”—The Boyfriend Bookmark

About the Author
J. Kenner is the New York Times bestselling author of Release Me, Claim Me, Complete Me, Wanted, Heated, Ignited, and the novellas Take Me and Have Me. She spent more than ten years as a litigator in Southern California and central Texas, using her rare free time to indulge in her passion of writing. She lives in Texas with her husband and daughters.

Excerpt. � Reprinted by permission. All rights reserved.

one

The thwump-�thwump of the helicopter’s rotors fills my head like a whisper, a secret message that I cannot escape. Not him, not now. Not him, not now.

But I know damn well that my plea is futile, my words flat. I can’t run. I can’t hide. I can only continue as I am—�hurtling at over a hundred miles per hour on a collision course with a destiny I thought I had escaped five years ago. And with the man I’d left behind.

A man I tell myself I no longer want—�but can’t deny that I desperately need.

I clutch my fingers tighter around the copy of Architectural Digest in my lap. I do not need to look down to see the man on the cover. He is as vivid in my mind today as he was back then. His hair a glossy black, with just the slightest hint of copper when the sun hits it just so. His eyes so blue and deep you could drown in them.

On the magazine, he sits casually on the corner of a desk, his dark gray trousers perfectly creased. His white shirt pressed. His cuff links gleaming. Behind him, the Manhattan skyline rises, framed in a wall of glass. He exudes determination and confidence, but in my mind’s eye, I see even more.

I see sensuality and sin. Power and seduction. I see a man with his shirt collar open, his tie hanging loose. A man completely at home in his own skin, who commands a room simply by entering it.

I see the man who wanted me.

I see the man who terrified me.

Jackson Steele.

I remember the way his skin felt as it brushed mine. I even remember his scent, wood and musk and a hint of something smoky.

Most of all, I remember the way his words seduced me. The way he made me feel. And now, here above the Pacific, I can’t deny the current of excitement that runs through me, simply from the prospect of seeing him again.

And that, of course, is what scares me.

As if to emphasize that thought, the helicopter banks sharply, sending my stomach lurching. I reach out to steady myself, pressing my hand against the window as I look out at the deep indigo of the Pacific below me and the jagged Los Angeles coastline receding in the distance.

“We’re on our approach, Ms.�Brooks,” the pilot says a short while later, his voice crystal clear through my headphones. “Just a few more minutes.”

“Thanks, Clark.”

I don’t like air travel, and I especially don’t like helicopters. Perhaps I have an overactive imagination, but I can’t seem to shake the mental image of dozens of absolutely essential screws and wires getting wiggled loose by the persistent motion of these constantly vibrating machines.

I’ve come to accept that I can’t avoid the occasional trip by plane or helicopter. When you work as the executive assistant to one of the world’s wealthiest and most powerful men, air travel is just part of the package. But while I’ve resigned myself to that reality—�and even managed to become somewhat Zen about the whole thing—�I still get all twisted up during takeoff and landing. There’s something horribly unnatural about the way the earth rises up to meet you, even while you are simultaneously careening toward the ground.

Not that I can actually see any ground. As far as I can tell, we’re still entirely over water, and I am just about to point out that little fact when a slice of the island appears in my window. My island. Just seeing it makes me smile, and I draw in one breath and then another until I actually feel reasonably calm and somewhat put together.

Of course, the island isn’t really mine. It belongs to my boss, Damien Stark. Or, more specifically, it belongs to Stark Vacation Properties, which is a division of Stark Real Estate Development, which is an arm of Stark Holdings, which is a wholly owned subsidiary of Stark International, which is one of the most profitable companies in the world, which is owned by one of the most powerful men in the world.

In my mind, though, Santa Cortez island is mine. The island, the project, and all the potential that goes with it.

Santa Cortez is one of the smaller Channel Islands that run up the coast of California. Located a little behind Catalina, it was used for many years as a naval facility, along with San Clemente Island. Unlike San Clemente, which is still operated by the military and sports an army base, barracks, and various other signs of civilization, Santa Cortez lacks any development at all; it was used for hand-�to-�hand combat and weapons training. At least, that’s what I was told. The navy is not known for being forthright about its activities.

Several months ago, I’d noticed a small article in the Los Angeles Times discussing the military’s presence in California. The article mentioned both islands, but noted that the military was ceasing operations on Santa Cortez. There wasn’t any other information, but I’d taken the article to Stark.

“It might be up for sale, and if so, I figured we should act fast,” I’d said, handing him the article. I’d just finished briefing him on his schedule for the day, and we were moving briskly down the corridor toward a conference room where no less than twelve banking executives from three different countries waited with Charles Maynard, Stark’s attorney, for the commencement of a long-�planned tax and investment strategy meeting.

“I know you’ve been looking for potential sites for a couples’ resort in the Bahamas,” I continued, “but since we haven’t yet found a suitable island, I was thinking that in the mean�time, a high-�end getaway location for families with easier access to the States might have real potential as a business model.”

He’d taken the paper, reading as he walked, and then stopped outside the conference room’s glass doors. I’d come to know his face during the five years I’d worked for him, but right then I hadn’t even an inkling what he was thinking.

He handed the article back to me, held up one finger in a silent demand for me to wait, and then stepped inside the room, addressing the men as he entered. “Gentlemen, I apologize, but something has come up. Charles, if you could take over the meeting?”

And then he was back in the corridor with me, not bothering to wait for Maynard’s reply or the executives’ acquiescence, but absolutely confident that things would go smoothly, and just the way he wanted them to.

“Call Nigel Galway at the Pentagon,” he’d said as we moved down the hall back toward his office. “He’s in my personal contacts. Tell him I’m looking to acquire the island. Then get in touch with Aiden. He’s gone to the Century City site to help Trent with some problem that’s come up during construction. Ask if he can get away long enough to meet us for lunch at The Ivy.”

“Oh,” I said, trying to find my balance. “Us?”

Aiden made sense. Aiden Ward was the vice president of Stark Real Estate Development, and was currently overseeing the construction of Stark Plaza, a trio of office buildings off Santa Monica Boulevard in Century City. What I didn’t understand was why Mr.�Stark would want me at the lunch, when his usual practice was to simply fill me in after the fact on any post-�meeting details that I needed to track or follow up on.

“If you’re spearheading this project, it makes sense for you to be at the initial meeting.”

“Spearheading?” Honestly, my head was spinning.

“If you’re interested in real estate development, especially for commercial projects, you couldn’t ask for a better mentor than Aiden,” he said. “Of course, you’ll be pulling longer hours. I’ll still need you on my desk, but you can delegate as much as makes sense. I think Rachel would like to pick up some more hours, anyway,” he added, referring to his weekend assistant, Rachel Peters.

“Use the business plan that Trent put together for the Bahamas proposal as a model, and work up your own draft and timeline.” He glanced at his watch. “You won’t be able to finish before lunch, but you can take us through some talking points.” He met my eyes, and I saw the humor in his. “Or am I assuming too much? I thought that real estate was one of your particular interests, but if you’re not looking to shift into a managerial role—�”

“No!” I practically blurt the word, my shoulders squared and my back straight. “No. I mean, yes. I mean, yes, Mr.�Stark, I want to work on this project.” What I really wanted was to not hyperventilate, but I wasn’t entirely sure that was going to be possible.

“Good,” he’d said. We’d reached my desk in the reception area outside his office. “Call Nigel. Make the lunch arrangements. And we’ll go from there.”

Go from there had led in a more or less straight line directly to this moment. I’m officially the project manager for The Resort at Cortez, a Stark Vacation Property. At least I am today.

Hopefully, I’ll still be tomorrow. Because that’s the question, isn’t it? Whether the news that I received two hours ago is going to shatter the Santa Cortez project, or whether I can salvage the project along with my nascent career in real estate.

Too bad I need Jackson Steele if I’m going to pull that off.

My stomach twists unpleasantly and I tell myself not to worry. Jackson will help me. He has to, because right now everything I want is riding on him.

Considering my frayed nerves, I’m especially grateful that our landing is soft. I slide the magazine into my leather tote, then unstrap myself and wait for Clark to open the door. As soon as he does, I breathe in the fresh scent of the ocean and lift my face to the breeze. Immediately, I feel better, as if neither my worries nor my motion sickness are any match for the pure beauty of this place.

And beautiful it is. Beautiful and unspoiled, with native grasses and trees, dunes, and shell-�scattered beaches.

Whatever the military had been doing here, it didn’t harm the natural habitat. In fact, the only signs of civilization are right where we’ve landed. This area sports a tarmac sufficient for two helicopters, a boat dock, a small metal building used for equipment storage, and another small building with two chemical toilets. There’s also a Bobcat, a generator, and various other bits of machinery that have been carted in so that the process of clearing the land can begin. Not to mention the two security cameras that had been mounted to satisfy both Stark International security and the insurance company.

There is a second copter beside the one that Clark set down, and beyond it is a makeshift path that leads away from this ramshackle work area to the still-�wild interior of the island. And, presumably, to Damien, his wife, Nikki, and Wyatt Royce, the photographer Damien hired to take seaside portraits of his wife and also pre-�development photos of the island.

While Clark remains with the bird, I follow the path. Almost immediately, I regret not taking the time to change out of my skirt and heels before making this jaunt. The ground is rocky and uneven and my shoes are going to end up scuffed and battered. I’d planned to put on jeans and hiking boots, but I’d been in a hurry, and if I can get this project back on track, then I figure my favorite navy pair of heels are a small price to pay.

The ground slopes up gently, and as I crest a small hill I find myself looking down at a sandy inlet nestled against a cluster of rocks. Waves batter the stones, sending droplets of water up to sparkle in the air like diamonds. On the beach area, I see Damien slide his arm around his wife’s waist as she leans her head upon his shoulder while they both look out at the wide expanse of the sea.

Nikki and I have become good friends, so it’s not as though I’ve never seen the two of them together. But there is something so sweetly intimate about the moment that I feel as though I should turn back and give them time alone. But I have no time to squander, and so instead I clear my throat as I continue forward.

I know of course that they won’t hear me. The sound of the ocean crashing against the shore was sufficient to drown out the helicopter’s approach; it’s certainly enough to cover my small noises.

As if to prove my point, Damien presses his lips to Nikki’s temple. Something tight twists inside me. I think of the magazine in my tote—�and the image of the man on the cover. He’d kissed me the same way, and as I remember the butterfly-�soft caress of his lips against my skin, I feel my eyes sting. I tell myself it’s the wind and the saltwater spray, but of course that’s not true.

It’s regret and loss. And, yes, it’s fear.

Fear that I’m about to open the door to something I desperately want, but know that I can’t handle.

Fear that I screwed up royally so many years ago.

And the cold, bitter certainty that, if I’m not very, very careful, the wall I’ve built around myself will come tumbling down, and my horrible secrets will spill out for all the world to see.

“Sylvia?”

I jump a little, startled, and realize that I have been standing there, staring blankly toward the sea, my mind far, far away. “Mr.�Stark. Sorry. I—�”

“Are you all right?” It’s Nikki who speaks, her expression concerned as she hurries toward me. “You look a little shaky.” She’s beside me now, and she takes my arm.

“No, I’m fine,” I lie. “Just a little motion sick from the helicopter. Where’s Wyatt?”

“He set up down the beach,” Stark says. “We thought it was best if he went ahead and got started on the shots for the brochure.”

I wince, because I am over an hour late. The plan had been for me to spend the morning in Los Angeles while Nikki, Damien, and Wyatt came early to the island. I’d arrive later, once they’d had time to complete the private portrait shoot, and I’d spend the rest of the morning working with Wyatt to capture a series of shots that we could use in the resort’s marketing materials.

Damien would pilot his copter back to the city, and then Wyatt, Nikki, and I would return with Clark. Nikki and I recently discovered that we share a love of photography and Wyatt has offered to give us some pointers after the work is finished.

“You didn’t bring your camera,” Nikki says, her forehead creasing into a frown. “Something is wrong.”

“No,” I say, then, “okay, yes. Maybe.” I meet Stark’s eyes. “I need to talk to you.”

“I’ll go check on Wyatt,” Nikki says.

“No, stay. I mean if Mr.�Stark—�if Damien—�doesn’t mind.” I’m still uncomfortable calling him by his first name during working hours. But as he has repeatedly pointed out, I’ve spent a good number of hours drinking cocktails by his pool with his wife. After so many Cosmopolitans, formality when we’re alone begins to feel strained.

“Of course I don’t mind,” he says. “What’s happened?”

I take a deep breath, and spill the news I’ve been hanging on to. “Martin Glau pulled out of the project this morning.”

I see the change in Damien’s face immediately. The quick flash of shock followed by anger, then immediately replaced with steely determination. Beside him, Nikki isn’t nearly so controlled.

“Glau? But he’s been nothing but enthusiastic. Why on earth would he want to quit?”

“Not want to,” I clarify. “Has. Done. He’s gone.”

For a moment, Damien just stares at me. “Gone?”

“Apparently he’s moved to Tibet.”

Damien’s eyes widen almost imperceptibly. “Has he?”

“He’s sold his property, shut down his firm, and told his attorney to let his clients know that he’s decided to spend the rest of his life in prayerful meditation.”

“The son of a bitch,” Damien says with the kind of contained fury I rarely see in his business dealings, though the press has made much of his temper over the years. “What the hell is he thinking?”

I understand his anger. For that matter, I share it. This is my project, and Glau has managed to screw us all. The Resort at Cortez might be a Stark property, but that doesn’t mean that it’s fully financed by Damien, or by Damien’s companies. No, we’ve worked our tails off over the last three months pulling together a who’s who of investors—�and every single one of them named two reasons they were committed to the project: Glau’s reputation as an architect, and Damien’s reputation as a businessman.

He runs his fingers through his hair. “All right then, so we handle this. If his attorney is notifying clients today, the press will get wind of it soon, and everything is going to unravel fast.”

I grimace. Just the thought makes my skin feel clammy, because this project is mine. I conceived it, I pitched it, and I’ve worked my ass off to get it off the ground. It’s more than a resort to me; it’s a stepping stone to my future.

I have to keep this project alive. And, dammit, I will keep it alive. Even if that means approaching the one man I swore I would never see again.

“We need a plan in place,” I say. “A definitive course of action to present to the investors.”

Despite the situation, I see a hint of amusement in Damien’s eyes. “And you have a suggestion already. Good. Let’s hear it.”

I nod and tighten my grip on my tote bag. “The investors were impressed by Glau’s reputation and his portfolio,” I say. “But that’s not something we can replicate in another architect.” As the moving force behind some of the most impressive and innovative buildings in modern history, Glau was a bona fide starchitect—�an architect with both the skill and celebrity status to ensure a project’s success.

“So I suggest we present the one man who by all accounts is poised to meet or surpass Glau’s reputation.” I reach into my bag and pull out the magazine, then pass it to Damien.

“Jackson Steele.”

“He has the experience, the style, the reputation. He’s not just a rising star in the field—�with Glau out of the picture, I think it’s fair to say that he’s the new crown prince. And that’s not all. Because even more so than Glau, Steele has the kind of celebrity appeal that this project can use. The sort of publicity potential that will not only excite the investors, but will be a huge boon when we market the resort to the public.”

“Is that so?” Stark says, his voice oddly flat. I see him catch Nikki’s eyes, and can’t help but wonder at the quick look that passes between the two of them.

“Read the article,” I urge, determined to prove my point. “Not only is there a rumor that the story surrounding one of his projects is going to be adapted into a feature film, but they’ve already produced a documentary on him and that museum he did last year in Amsterdam.”

“I know,” Damien says. “It’s premiering at the Chinese theater tonight.”

“Yes,” I say eagerly. “Are you going? You could talk to him there.”

Damien’s mouth twists with what I think is irony. “Oddly enough, I wasn’t invited. It’s only on my radar because Wyatt mentioned it. He’s been hired to take the red carpet photos and some candids of the guests.”

“But that’s my point,” I press. “It’s a red carpet event. This guy has celebrity sparkle all the way. We need him on our team. And the article also says that he’s looking to open a satellite office in Los Angeles, which suggests that he’s trying to move more into the West Coast market.”

“Jackson Steele isn’t the only name in the pot,” Damien says.

“No,” I agree. “But right now he’s the only one with a serious spotlight on him. More than that, I’ve already looked into the few others who might appeal to the investors, and none have current availability. Steele does. I didn’t present Steele as a possible architect in the original development plan because he was committed for the next six months to a project in Dubai.” At the time, I’d been grateful that Jackson was unavailable because I didn’t want to be in exactly this position. Now, however, things have changed.

“The Dubai project fell through,” I continue. “Political and financial issues, I guess. It’s all outlined in the article. I did some quick research, and I don’t believe Steele has another green-�lit project, but it won’t stay that way for long. Jackson Steele can save the Cortez resort. Please trust me when I tell you that I wouldn’t suggest him if I didn’t absolutely believe that.”

And wasn’t that the god’s honest truth?

“I believe it, too,” Damien says. “And I agree with your assessment of the situation. If we don’t get Jackson Steele on board right away, we’ll lose our investors. The only other way to keep the project alive is if I fully fund the project, either using corporate assets or my personal funds.” He draws in a breath. “Sylvia,” he says gently, “that’s not the way I do business.”

“I know. Of course I know that. That’s why I’m suggesting we approach Jackson. I mean Steele,” I correct, biting back a wince at my unintentional familiarity. “This is a high profile project—�exactly the kind of thing that he’s focusing on these days. He’ll sign on. Everything about it is what he’s looking for.”

Once again, Damien and Nikki share a look, and worry snakes through me.

“I’m sorry,” I say. “But is there something I don’t know?”

“Jackson Steele has no interest in working for Stark International,” Nikki says, after a brief hesitation.

“He—�what?” It takes a moment for the words to sink in. “How do you know?”

“We met him when we were in the Bahamas,” Nikki explains. “Damien offered to bring him in on the ground floor for the Bahamas project, pulling him in even before Stark International acquired property. Full access to every detail of the project. But he made it very clear that he doesn’t want to work for Damien or any of Damien’s companies. He says that Damien casts a long shadow, and he’s not interested in being caught under it.”

“In other words, we won’t be landing Steele for this project,” Damien says. He glances at his watch, then at Nikki. “I need to get back,” he says, then returns his attention to me. “Call the investors personally. This isn’t the kind of thing I can sit on. I’m truly sorry, Syl,” Damien adds, and it’s the nickname that drives home how real this is. The project is dead. My project is dead.

I tell myself I should be relieved not to risk the memories. That I’ve been a fool to think that I have the strength to tempt my nightmares. That I should just let this project go rather than walk right back into everything I once ran from.

No.

No. I’ve worked too hard, and this project means too much. I can’t just let it go. Not like that. Not without a fight.

And, yes, perhaps there is a part of me that wants to see Jackson Steele again. To prove to myself that I can do this. That I can see him, talk to him, work so goddamn intimately with him—�and somehow manage to not shatter under the weight of it all.

“Please,” I say to Damien, as I squeeze my hands into fists and tell myself that the staccato beat of my heart and the clamminess of my skin stem from fear of losing the project and not the thought of seeing Jackson again. “Let me talk to him. We need to at least try.”

“There will be other projects, Ms.�Brooks.” His voice is gentle, but firm. “This isn’t your last opportunity.”

“I believe you,” I say. “But I’ve never known you to walk away from a floundering deal if there was any chance of saving it.”

“Based on what I know of Mr.�Steele, there isn’t a chance.”

“I think there is. Please, let me try. I’m just asking for the weekend,” I rush to add. “Just enough time for me to meet with Mr.�Steele and pitch the project to him.”

For a moment, Damien says nothing. Then he nods. “I can’t keep this from the investors,” he finally says. “But it’s already Friday, and we can make that work for us. Call them. Let them know we need to update them about the project, and schedule a conference call for Monday morning.”

I nod, quick and businesslike. But inside, I am jumping with glee.

“That gives you the weekend,” Damien continues. “Monday morning we’ll either announce that we have Jackson Steele on board, or that the project is in trouble.”

“We’ll have him on board,” I say, with a confidence born more of hope than reality.

Damien’s head tilts ever so slightly to the left, as if considering my words. “What makes you think so?”

I lick my lips. “I—�I met him. About five years ago in Atlanta. Right before I came to work for you, actually. I don’t know if he’ll agree, but I think he’ll hear me out.” At least, I thought he would before I learned that he’d already turned down a Stark project.

Now, the entire playing field has changed. Before, I’d thought I was bringing him a kick-�ass project on a silver platter. Me, doing a favor for Jackson. Me, in control.

Now I know the opposite is true.

He can walk away. He can say no. He can lift his middle finger and tell me to stay the hell out of his life.

I think about the last conversation we had—�a conversation that had ripped me apart.

I need you to do something for me, I’d said.

Anything.

No questions, no arguments. It’s important.

Whatever you need, baby, I promise. You only have to ask.

He had kept his word then. He’d done as I asked, even though it had just about destroyed us both.

Now there is something else I need.

And I desperately hope that once again I only have to ask.

Most helpful customer reviews

15 of 17 people found the following review helpful.
Doesn't belong on the "save to read when I need a pick me up" shelf
By Debbie Richardson
Made the mistake of starting this late at night, and then had to stay up to finish it. It will be a coffee morning for sure!

Boy, did I like Jackson Steele. What a hard name, what a guy. He was incredibly in tune to our heroine, Sylvia, and incredibly in lust for her. It was like the 5 years between meetings was an overnight gap. Believable? hmmmm. Enticing, heck yes! Jackson had the hots for Sylvia and had not forgotten her, nor was he done with her. When she offered a chance for him to strike a deal in his favor, he jumped all over it.

I can't say that I'm a big fan of how hurt he was by her pushing him away after their first time together. It was too short, too brief, for me to buy that he recognized how special this relationship was to him and was angry at her over preventing it from playing out. That's just a lot to believe in from his perspective. From her perspective, oh yeah - I think the author did a great job of walking us thru exactly why Sylvia would run far and fast from a relationship with Jackson. I bought into why her psyche was damaged, and her rules to live by to keep it safe and protect herself.

I can't say I love the concept that she was willing to prostitute herself to him when she knew with every ounce of her being that it was wrong for her. I think I'd like to have seen a different way for them to be brought together, and her putting her foot firmly in his ass for suggesting the deal. Didn't happen, her ambition to gain her career goals outweighed her self-respect. So that bugged me a bit.

And I suspended my belief to buy into Jackson being a very effective stalker, and her not caring but actually welcoming his comforting presence watching over her. He's close enough to stay with her when she takes a hot rod and hits the streets for a wild car ride and she never notices? He follows her 15 blocks or more into a dance club and she never notices? Yet she notices when he sits beside her in an empty seat in a dark theater just because? And how was that seat conveniently empty, anyways?

I did like that they were connected albeit by an electric hot wire and both acknowledged it. I did like that he was an amazing man able to quickly recognize there was something bigger going on with her rejection of him and turn into psychiatric therapeutic lover instead of he man alpha male. Did I buy it? Oh heck no. But I liked it! I cared a lot for Jackson, and I wanted him to have what he wanted, which was Sylvia. I didn't care as much for Sylvia but boy was I ever envious of her.

Dialogue was sharp, heat was steaming off the page, characters connected very well, it was a great throwaway read. The kind where you really get into the story and enjoy the ride, you finish it and promptly let it go and don't really care if there is another one to follow or not. I was happy my time was not wasted, but it doesn't belong on the "save to read when I need a pick me up" shelf. I'm a 3.5 rating reviewer stuck between a hard 3 and 4.

SPOILER*******************************

This book ended fine, there were hints of more plot threads to carry into a 2nd book about this couple but I didn't really care about the dangling plot threads. To me the story as it was written was enough, and I don't need to go further with these characters. The author obviously intends to take them further based on the epilogue. Can't see why, and strikes me as indulgent, not interested in coming up with a new world and new characters but would rather just continue to write sex scenes with these two. Almost took my rating down to 3 stars because of that, but Jackson deserves more. But not another book!

***********End of SPOILER************************

11 of 12 people found the following review helpful.
Umm...
By Amazon Customer
The book was an okay read. Had a lot of potential. Loved the story line and liked the characters, it's just that it seemed the writing was kind of sparse at times. The author would lead you up to something, but it seemed you just didn't quite make it to the peak. Build you up just to twist and turn you on to something else.

Sylvia was a good character. Abused and still suffering from it. All through the book she slowly tells us her story of abuse and how it's made her into the person she is. She even tells Jackson. But when we get the opportunity to meet her abuser it last 2 secs. A couple of sentences. She is thrown back, but Jackson is thrown into it and we, the reader doesn't get to witness it. We have to read that it even happened in a newspaper headline along with Syl! Too many of these things occurred.

Maybe there would have been less holes, more depth, and more of a engaging story if it came from both characters POV. The foundation was terrific, if only the characters experiences (aka the meat of the story) would have been equally translatable, the story would have easily been a 5 star book.

5 of 5 people found the following review helpful.
Holy S**T!!!! Hot, Sexy, and Wow!
By Tammy Miller-Devlin
Wow. Say My Name had me at the start. I love Jackson Steel. Sylvia and Jackson's story is one that I held my breath reading. Sylvia works for Damien Stark as his receptionist in Stark Industries. Sylvia wants to try to move up in the company and so she is given a development of a resort on an island. Jackson is an architect. After another architect fell through Sylvia as no choice but to go to Jackson and get him to work with her. There was only one problem with that, she had told him five years ago to leave her alone. But she needs him.
This book is so good it has everything, sex, love and oh the surprises. I was yelling at the book. You will enjoy Say My Name. It is a must read.

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Selasa, 26 November 2013

[X268.Ebook] PDF Ebook Dance Kinesiology, Second Edition, by Sally Sevey Fitt

PDF Ebook Dance Kinesiology, Second Edition, by Sally Sevey Fitt

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Dance Kinesiology, Second Edition, by Sally Sevey Fitt

Dance Kinesiology, Second Edition, by Sally Sevey Fitt



Dance Kinesiology, Second Edition, by Sally Sevey Fitt

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Dance Kinesiology, Second Edition, by Sally Sevey Fitt

Dance Kinesiology reflects modern techniques and includes articles addressing eight important systems of body work: the Pilates Method, Rolfing, the Feldenkrais Method, the Alexander Technique, Ideokinesis, Body-Mind Centering, the Bartenieff Fundamentals, and Laban Movement Analysis.

  • Sales Rank: #601639 in Books
  • Published on: 1996-10-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.35" h x 7.34" w x 9.98" l, 2.62 pounds
  • Binding: Hardcover
  • 504 pages

Review
Preface. SECTION 1: THE SCIENCE OF MOTION IN SUPPORT OF THE ART OF DANCE. 1. Domain of Dance Kinesiology. SECTION TWO: THE SKELETAL SYSTEM. 2. Overview of the Skeletal System. 3. Foot and Leg. 4. Pelvis and Spine. 5. Scapula and Humerus. 6. Radius, Ulna, and Hand. SECTION THREE: THE MUSCULAR SYSTEM. 7. Overview of the Muscular System. 8. Muscles of the Toes, the Tarsus, and the Ankle. 9. Muscles of the Knee and Hip. 10. Muscles of the Torso and the Neck. 11. Muscles of the Scapula and the Shoulder. 12. Muscles of the Elbow, Radio-Ulnar Joints, Wrist, and Hand. 13. Misalignments and Muscular Imbalances Common in Dance. SECTION FOUR: PHYSIOLOGICAL CONSIDERATIONS FOR DANCERS. 14. Physiological Support Systems. 15. Body Types. 16. Movement Behavior. SECTION FIVE: WELLNESS FOR DANCERS. 17. Somatics, Relaxation, and Efficiency. 18. Prevention of Dance Injuries. 19. Conditioning for Dancers. 20. Weight Management. SECTION SIX: CONCLUSION AND APPLICATIONS. 21. Enhancing Performance. 22. Applications of Dance Kinesiology. References. Contributors to the Second Edition. Index.

Most helpful customer reviews

14 of 15 people found the following review helpful.
Fantastic resource for dancers, dance teachers, therapists
By Gregory Olsen
This book (in the second edition) is a fantastic resource for dancers, dance teachers, Pilates instructors, and physical therapists in training. It covers a lot of functional anatomy as it relates to dance. The first 2/3 of the book are devoted to anatomy. The last 1/3 is devoted to articles on various topics related to dancer health and conditioning.
There is an excellent article on Pectoralis Minor Syndrome - a condition that I have not seen addressed in other texts outside the physical therapy arena.
The chapter on Somatics, Relaxation, and Efficiency is very useful, with the exception of the article on Pilates, which reads like advertising copy for the Pilates Studio in NY. Mary Bond writes the article on Rolfing which is an excellent article for introducing Rolfing to people who may not have been exposed to the method before.

40 of 41 people found the following review helpful.
A must have for dancers who want to know their body
By taegur@xsite.net
Dr. Fitt's book fills an important gap in the education of all dancers. Anatomical knowledge is of crucial importance to dancers and this book qualifies as both a basic reference for beginners and as an important resource for intermediate/advanced students of the body. It is easy to read but is not lacking in depth. My only complaint (about the first edition) is that all of her dancers are headless (there is no chapter on the head - Alexander would roll over in his grave!). This minor oversight should in no way take away from the monumental acheivement of this most excellent book

2 of 2 people found the following review helpful.
Great for dancers and therapists
By LaurenLuLu
This book is a great resource for dancers and physical therapists alike. The concepts are presented in a clear and concise manner and the chapters include useful exercises to help make the material stick. The book also includes exercises and health plans for common dance and athletic ailments which is useful for readers! This is a textbook that is valuable for taking care of yourself, learning about kinesiology in general and as it relates specifically to the dancer, and supplements your research and papers as a source. This is a textbook to keep well after your course and would be an excellent teaching tool.

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Rabu, 13 November 2013

[X702.Ebook] Free PDF The First Folio of Shakespeare: The Norton Facsimile, by William Shakespeare

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The First Folio of Shakespeare: The Norton Facsimile, by William Shakespeare

The First Folio of Shakespeare: The Norton Facsimile, by William Shakespeare



The First Folio of Shakespeare: The Norton Facsimile, by William Shakespeare

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The First Folio of Shakespeare: The Norton Facsimile, by William Shakespeare

One of the essential books of English literature and culture, the justly famous First Folio of Shakespeare's plays, a full-size photographic facsimile that has won the admiration of actors and scholars throughout the world.

When it was published in 1968, The Norton Facsimile set a new standard for scholarly accuracy. It was the first facsimile in which every page had been selected from a large number of copies in an attempt to find a clean, clear example with minimal show-through. Even more important, it offered the latest, most corrected state of pages known to vary from copy to copy because of correction at press. Finally, it introduced a standard system of reference, "through line numbering," based on the lines printed in the 1623 edition rather than on the acts, scenes, and lines of a modern edition. These improvements, the meticulous work of the great Folio scholar Charlton Hinman made possible by the extensive Folger Library Collection, established The Norton Facsimile as an indispensable volume for book collectors and serious readers of Shakespeare.

  • Sales Rank: #881206 in Books
  • Brand: imusti
  • Published on: 1996-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 14.80" h x 2.50" w x 10.00" l, 9.60 pounds
  • Binding: Hardcover
  • 968 pages
Features
  • W W Norton Company

Amazon.com Review
Charlton Hinman's facsimile of Shakespeare's First Folio was a colossal achievement when it was first published in 1968, and its reputation is further enhanced by this beautiful second edition. Looking for a way to provide scholars with a reliable version of Shakespeare's text, Hinman invented a device that sped up the collation process, allowing him to compare 82 of the surviving copies of the Folio and bring to light features of Shakespeare's work that have been--and continue to be--edited out of most modern editions. A Midsummer Night's Dream, for example, contains what are known as false starts, fragments of earlier versions of certain speeches. These traces of the composition process survive only because the printers, working directly from Shakespeare's handwritten copy, were not given a chance to thoroughly proofread their work. Though they would make crucial changes during the printing process, it was too wasteful to throw away pages that were already printed. Thus, when they went to bind the Folios, each book contained a fascinating patchwork of corrected and uncorrected copy.

Also hidden beneath the familiar text of the plays is a portrait of the printers who created the book. Their names remain unknown, but Professor Hinman was able to track individuals' work by examining their spelling habits. Their story is as important to this book as the works of literature that it contains. The many errors the printers introduced into the text of Shakespeare's work still provide fertile ground for theatrical and academic debate. Hamlet, for example, wishes that his "too, too solid flesh would melt."--or is it his "sullied" flesh, or perhaps his "sallied" flesh? Which is Shakespeare, and which is an error? We cannot blame the printers; they spent long hours setting page after page of tiny type, working in a cramped space that smelled strongly of the stale urine they used to soften the inking pads. It is ironic that the most revered symbol of English high culture owes its existence--in part, at least--to the productive bladders of a handful of pressmen. This book gives these men their due, demonstrating the extent to which Shakespeare's plays were the work not just of one man but of a whole society.

About the Author
The late Charlton Hinman was the editor of the Shakespeare Quarto Facsimiles and professor of English at the University of Kansas.

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1 of 1 people found the following review helpful.
Here's What the First Folio Is - and Isn't!
By Anne P. Mitchell
If you are not familiar with what the First Folio is, the First Folio is considered to be the very first published collection of Shakespeare's plays. It was put together by John Heminges and Henry Condell (colleagues of Shakespeare) back in 1623. It is believed that 750 copies of the First Folio were published back in 1623; there are 234 copies known to exist today. The Folger Shakespeare Library in Washington D.C. has 82 of them.

Let me repeat: the first folio was put together and published in *1623*. So, no scholarly annotations, no footnotes, no modernized English. That means that any facsimile of the First Folio will, by definition, be in the language of the day, the style of the day, etc.. This is 'Olde English'. (If you want to see what it looks like inside, while this edition of the First Folio doesn't have the "Look Inside" option, this newer edition does: The First Folio of Shakespeare: The Norton Facsimile.)

Anyways, this First Folio facsimile is awesome, and a great gift for any lover of Shakespeare, or of classic literature generally. I gave one to the man I was dating last year, who is a serious classics scholar, and he loved it!

8 of 8 people found the following review helpful.
Simply awesome
By Lynn
I researched this book and a few others like it before purchasing the Norton Facsimile. Bear in mind that I am not a Shakespeare scholar and cannot speak to details that an expert may notice; I had to educate myself about how a facsimile
is different from a textbook, the contents, the purpose, the compilation, editing, and last but not least, the cost. From this lay person's point of view, the Norton Facisimile hit high marks on all points. I bought this book as a gift; judging from the
recipent's delight, I made the right choice (he didn't ask specifically for the book). The First Folio is a sumptious volume and will become a dearly loved permanent part of their library. The cost is reasonable and well worth the expense.

5 of 5 people found the following review helpful.
Amazing edition!
By bassman_mark
I love this book. I gave the first one I owned as a gift (long story), and a decade later I finally got around to buying another one. I much prefer this edition to the second edition, which has slicker paper and a different sleeve. I agree with the statements of many here about possible scholarly limitations of this edition, but I am not a scholar. I was an Equity actor (now an instructor of communications and theatre), and before each role I consulted four books: this facsimile, the Norton Oxford edition, Schmidt's Lexicon, and Harold Bloom's Shakespeare, the Invention of the Human. I believe this to be indispensable to the actor, but I also use it in my classes as an example of how acting cues were not just written into the language but also into the text itself. Yes, it's expensive, but it is an amazing piece of work and an example of excellent craftsmanship.

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Senin, 11 November 2013

[P187.Ebook] Get Free Ebook Where Good Ideas Come from: The Seven Patterns of Innovation, by Steven Johnson

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Where Good Ideas Come from: The Seven Patterns of Innovation, by Steven Johnson



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Where Good Ideas Come from: The Seven Patterns of Innovation, by Steven Johnson

From the author of Emergence and The Ghost Map, Steven Johnson's Where Good Ideas Come From: The Seven Patterns of Innovation identifies key principles that are the driving force of creativity. Learn how: * A slow hunch can be much more valuable than a Eureka moment* The connected 'hive mind' is smarter than the lone thinker* Where you think matters just as much as what you're thinking* The best ideas come from building on the ideas and inventions of others From the Renaissance to satellites, medical breakthroughs to social media, Charles Darwin to Marconi, Steven Johnson shows how, by recognising where and how patterns of creativity occur, we can all discover the secrets of inspiration. 'Inspirational' Independent 'Exhilarating ...An entirely new way of looking at almost everything' Guardian 'A huge diversity of bright ideas' Financial Times 'Johnson finds new and original things to say about the nature of innovation, and the different forms it can take' Economist, Books of the Year 'An enthralling work full of counter-intuitive insights' Daily Mail Steven Johnson is the author of the acclaimed books Everything Bad is Good for You, Mind Wide Open, Emergence and Interface Culture. His writing appeared in the Guardian, the New Yorker, Nation and Harper's, as well as the op-ed pages of The New York Times and the Wall Street Journal. He is a Distinguished Writer In Residence at NYU's School Of Journalism, and a Contributing Editor to Wired.

  • Sales Rank: #223643 in Books
  • Brand: imusti
  • Published on: 2011-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .75" w x 5.08" l, .62 pounds
  • Binding: Paperback
  • 336 pages
Features
  • PENGUIN GROUP

From Publishers Weekly
Johnson--writer, Web guru, and bestselling author of Everything Bad Is Good for You--delivers a sweeping look at innovation spanning nearly the whole of human history. What sparks our great ideas? Johnson breaks down the cultural, biological, and environmental fuel into seven broad "patterns," each packed with diverse, at times almost disjointed anecdotes that Johnson synthesizes into a recipe for success. A section on "slow hunches" captivates, taking readers from the FBI's work on 9/11 to Google's development of Google News. A section on error takes us through a litany of accidental innovations, including the one that eventually led to the invention of the computer. "Being right keeps you in place," Johnson reminds us. "eing wrong forces us to explore." It's eye-opening stuff--although it does require an investment from the reader. But as fans of the author's previous work know, an investment in Johnson pays off, and those who stick with the author as he meanders through an occasional intellectual digression will come away enlightened and entertained, and with something perhaps even more useful--how to recognize the conditions that could spark their own creativity and innovation. Another mind-opening work from the author of Mind Wide Open. (Oct.) (c)
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From Booklist
The figure of the lone genius may captivate us, but we intuit that such geniuses’ creations don’t materialize in a vacuum. Johnson supported the intuition in his biography of eighteenth-century scientist Joseph Priestly (The Invention of Air, 2009) and here explores it from different angles using sets of anecdotes from science and art that underscore some social or informational interaction by an inventor or artist. Assuring readers that he is not engaged in “intellectual tourism,” Johnson recurs to the real-world effects of individuals and organizations operating in a fertile information environment. Citing the development of the Internet and its profusion of applications such as Twitter, the author ascribes its success to “exaptation” and “stacked platforms.” By which he means that curious people used extant stuff or ideas to produce a new bricolage and did so because of their immersion in open networks. With his own lively application of stories about Darwin’s theory of atolls, the failure to thwart 9/11, and musician Miles Davis, Johnson connects with readers promoting hunches and serendipity in themselves and their organizations. --Gilbert Taylor

Review
Stimulating and insightful ... a huge diversity of bright ideas Financial Times Johnson develops his provocative thesis in a book that is lucid and ... brilliant. New Scientist [An] exhilarating, idea-thirsty book ... full of intriguing facts. Sunday Times

Most helpful customer reviews

7 of 7 people found the following review helpful.
Catchy & Intuitive.
By Reggie Bailey
Most certainly will revisit this book because it was very nice. Steven Johnson gives a great analysis of where some of the best ideas came from. The main reason I give this 5 stars is for his strong conclusion as well as his appendix which is almost like a cheat code for a reader because it leaves you with a timeline for some of the greatest ideas ever. This is a game changer because this is the kind of book that pushes you to pursue more knowledge and definitely encourages further reading and research.

I would definitely recommend this book to wantrapreneurs and entrepreneurs alike because it may teach the entrepreneur to keep persisting and to remain patient while doing so, and the wantrapreneur may finally receive that last nudge towards entrepreneurship from this book.

5 of 5 people found the following review helpful.
Great Read on the Nature of Creativity and Ideas
By Jack H
"Where Good Ideas come From" by Steven Johnson was given to me as a Christmas gift by someone who knows I love reading about how ideas originate and where common things we use today originated. It was not exactly what I expected, but still very good. It was less about individual case studies and more about ideas in general, and how a setting can effect ideas and implementation. A very interesting read and leaves you with a lot to take away from it. There is also an index of important inventions and when they were invented and by who in the back which was an interesting thing to look through as well.

Overall, the book was written at a very high level when it comes to Where Good Ideas Come From, which was an interesting approach with examples thrown in for good measure. I am very glad I received and read this book, even if it wasn't what I expected.

tl;dr An interesting read on the general nature of ideas, not case studies

2 of 2 people found the following review helpful.
Another Home Run!
By Jack Garvey
I purchased this book after enjoying his earlier work so much, "How we Got To Now." And it did not disappoint. The earlier book gave me a greater appreciation for all the everyday stuff we take for granted (steel, glass, concrete, etc) and this one showed the power of cross-fertilization in solving problems. Printing was already being used but Gutenberg's idea of implementing the wine press used in Germany took it to another level.

He is not shy in contrasting this shared knowledge with the "silo-building" of the FBI that continues to fail our country by isolating key information from other agencies like the CIA. I remember reading after 9/11 that the failures of sharing vital information of national security was to be fixed by the creation of Homeland Security. Then the bombing at the Boston Marathon occurs and the investigation shows "silo-building" was again in play between the the CIA and the FBI,

At least the folks in the private sector understand the value of creative thinking.

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